“We kind of feel like in some ways we may be filling that void with this documentary because we've got the original cast and they're talking about all their experiences, and over a thousand archival video clips and pictures.there's a lot of fandom in there with a powerful message,” co-director and producer Gary Lane added. “It is learning how older women did it, but also taking those experiences and taking that knowledge and saying OK, things have slightly changed, but they haven't changed enough, and now we're going to take the baton and we're actually going to go forward and make sure that this change happens.” “This film is a call-to-action for young women,” co-director and writer of the documentary, Camille Hardman, told Yahoo Canada.

Wade discussions, it’s clear the lessons from the film still hold true, arguably even more important now, shown in the new documentary Still Working 9 to 5, part of the Hot Docs 2022 festival. Garbus, who was a secretary, cleaned houses and stocked grocery shelves on her way to a music career, says Parton's lyrics capture so much about the reality of workers' daily lives - and their dreams.In the 1980s, Jane Fonda, Lily Tomlin and Dolly Parton led the iconic movie 9 to 5, but 40 years later, in the wake of the recent Roe v. And there is something about that combination that makes it kind of addictive and fun.'Ī different take on the song emerged last spring, when This American Life commissioned Merrill Garbus of Tune-Yards to record a cover of '9 to 5' for an episode dealing with workplace harassment.

'It is simultaneously a song of angry complaint and immense good cheer. 'It's a song that contains complaints about so many frustrations and inequities and injustices within a workplace - some of them gendered, some of them capitalist, some of them about how power is so unequally distributed,' Traister says. Though the song was more than 20 years old by then, she and her friends would still sing along to it on the local bar's jukebox when work left them stressed out and feeling stuck. Rebecca Traister, a New York magazine writer who comments frequently on feminism and politics (her most recent book, Good and Mad, is about the power of women's anger), says the song had a similar effect on her when she worked as an administrative assistant.

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